My top 10 books of the year. All audiobooks except for the Psychopath test. (Wow there’s not much between this post and last years top ten, I might just turn this into a book blog and be done with it)
10. Into the Darkest Corner I still want to find a thriller that genuinely thrills me but in general I find them really disappointing, clichéd, full of plot holes, and the biggest flaw in any genre for me: inauthentic. But this was definitely one of the better ones. Authethentic, plausible, and neither cliched nor disappointing.
9. Heft Arthur opp; an obese reclusive professor. Kel Keller: a promising baseball star. And Kel’s mother Charlene; the link between the two men. A small story, finely handled.
8. The Psychopath Test: A Journey Through the Madness Industry I’m still baffled by the clumsy start to this book but otherwise a fascinating dissection of what it really means to be a psychopath.
7. The Family Fang considering I’m a sucker for darkly comic dysfunctional families, how’s this for dysfunctional: “Child A” Annie and “Child B” Buster, serve as little more than the main props in their parent’s performance art. Unsurprisingly they have issues by the time they get to adulthood.
6. The Marriage Plot – A bit like One Day, except not shit. Actually it’s nothing like one day except that it pivots around a relationship. Recommended for fans of Franzen. They are quite similar.
5. Tell the Wolves I’m Home The thing about this book is that it’d be a great YA book. Though if it was marketed that way I never would have read it. The Hunger Games was a fun romp – but it had me rolling my eyes in lots of places where it was really dumbed down nonsense. If that’s YA I’m out. Tell the Wolves is mostly about a teenager struggling with loss, love and grief as well as the usual teenage stuff. But unlike The Hunger Games, it’s Rock Solid. No eye rolling.
4. 1Q84 – I’ve had a curious relationship with Murakami books, I wasn’t crazy about the first one but there’s something about his stories that just lure you back for more, and I’ve enjoyed each one more than the previous. But I also think 1Q84 is his most accomplished work, there’s a crazy logic in the alternate universe of 1Q84. It’s bit of a marmite book though, some people seem to hate it. I loved it.
3. People Who Eat Darkness: The Fate of Lucie Blackman True crime doesn’t get much better than this. There are so many fascinating strands to this story; the hostess culture in Japan, the exploration of how grieving parents are expected to act in the eye of the public, and of course the main crime itself involving the disappearance of Lucie Blackman
2. Skagboys Brilliant. As good as Trainspotting, if not better. No one does it better with this kind of stuff. It was like being back with a bunch of old friends. Even scumbags like Begbie… The problem is, he’s a mate n aw. What kin ye dae?
1. Where’d You Go, Bernadette Comedy is a funny thing(!) I usually find any books that are written for the comedy section anything but funny. I really didn’t like the comedy-book-of-the-moment “The 100 year old man who climbed out of the window”. But Where’d You Go, Bernadette was for me genuine laugh out loud funny as fuck.
I wish more books were like this. No long drawn out back story, or plodding character development. Just bam! Straight into it. A few pages in and there’s a whole world of hilarious stuff going on. This is one big passive aggressive note against the type of people who might write passive aggressive notes. Great fun, if a little far fetched in places, but it’s almost in sitcom territory, so we can give it some comedic licence. Highly recommended.
Honourable mention as I just finished it yesterday.
Yellow birds is an American soldier’s semi-autobiographical experience of the Iraq war. That conjures up a book that generally I would have little interest in but this boy sure can write. You can easily see why he’s being compared to the likes of Cormac McCarthy:
“Clouds spread out over the Atlantic like soiled linens on an unmade bed. I knew, watching them, that if any given moment a measurement could be made it would show how tentative was my mind’s mastery over my heart. Such small arrangements make a life, and though it’s hard to get close to saying what the heart is, it must at least be that which rushes to spill out of the parentheses which were the beginning and the end of my war: the old life disappearing into the dust … ”
It’s in equal parts about the death of a friend and the death of his own youth, both killed in a senseless war. Brilliantly written.